The Field of Musical Improvisation

Marcel Cobussen, Henrik Frisk, Bart Weijland

Abstract



In this essay the first initiatives are presented to come to a new theoretical approach of musical improvisation. The main idea is to regard musical improvisation as a nonlinear dynamical system in which various (f)actors interact and connect in complex ways. In other words, the Field of Musical Improvisation (FMI) has no stable or strict identity.

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DOI: http://dx.doi.org/10.5399/uo/konturen.2.1.1356

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