Vol. 1 No. 1 (2011): Francesco Petrarca: from Manuscript to Digital Culture

Cover: [MS. Laud. Misc. 156, Manuscripts and Early Printed Books, Bodleian Library, Oxford University]

Proceedings of the International Symposium, "Francesco Petrarca: from manuscript to digital culture," 3 April 2010.

Issue editors: Nathalie Hester, Massimo Lollini, and Leah Middlebrook

Published: 2011-02-05

Editorial

Humanism in the Digital Age

Massimo Lollini

1-7
- PDF
- HTML
Introduction

Leah Middlebrook, Nathalie Hester

8-12
- PDF
- HTML

Perspectives

Prolegomena to a New Lyric Petrarch in the Digital Future

Giuseppe Savoca

13-27
- PDF
Petrarch’s “Original” of the Fragmenta 1362-1558: from Boccaccio to Rovillio’s third printing

H. Wayne Storey

28-49
- PDF
Rerum vulgarium fragmenta: From Manuscript to Print

Robert M. Durling

50-65
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Return to Philology and Hypertext in and around Petrarch’s Rvf

Massimo Lollini

66-79
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Francis, Thou Art Translated: Petrarch Metamorphosed in English, 1380-1595

Ronald L. Martinez

80-108
- PDF
Las visiones de Petrarca en la poesía hispánica y en la poética renacentista

Alicia de Colombí-Monguió

109-120
- PDF (ES_ES)

Interventions

Chaucer and Petrarch: “S’amor non è” and the Canticus Troili

Warren Ginsberg

121-127
- PDF
Mapping Petrarch in Seventeenth-century Italian Travel Writing

Nathalie Hester

128-135
- PDF
The Representation of Petrarch in the Eighteenth-century Encyclopédie

Ana-Maria M'Enesti

136-144
- PDF
Petrarch’s Poetics: From the Abyss of Representation to Creative Imitation

Luis Gonzalo Portugal

145-150
- PDF
Baroque Flair: Seventeenth-century European Sapphic Poetry

Amanda Powell

151-165
- PDF
The Digitization of Japanese Translations of the Rvf in the Oregon Petrarch Open Book

Nobuko Wingard

166-169
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Quanto piace al mondo è breve sogno. Petrarch and Schopenhauer: Elective Affinities

Enrico Vettore

170-179
- PDF

Projects

For a Study of the Reception of the Canzoniere in the “Petrarch Project”

Giorgio Forni

180-193
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A “cavalier pensoso” between Machiavelli and Petrarch

Carlo Varotti

194-200
- PDF
“Solo et pensoso” in the Latin poetry of the Italian Fifteenth Century

Andrea Severi

201-208
- PDF
Ghosts of Solitude: Guido Gozzano reader of Petrarch. An episode of the 20th-century reception of Rvf 35

Alessandra Mantovani

209-222
- PDF

Vol. 1 No. 1 (2011): Francesco Petrarca: from Manuscript to Digital Culture

Editorial

Humanism in the Digital Age

Introduction

Perspectives

Prolegomena to a New Lyric Petrarch in the Digital Future

Petrarch’s “Original” of the Fragmenta 1362-1558: from Boccaccio to Rovillio’s third printing

Rerum vulgarium fragmenta: From Manuscript to Print

Return to Philology and Hypertext in and around Petrarch’s Rvf

Francis, Thou Art Translated: Petrarch Metamorphosed in English, 1380-1595

Las visiones de Petrarca en la poesía hispánica y en la poética renacentista

Interventions

Chaucer and Petrarch: “S’amor non è” and the Canticus Troili

Mapping Petrarch in Seventeenth-century Italian Travel Writing

The Representation of Petrarch in the Eighteenth-century Encyclopédie

Petrarch’s Poetics: From the Abyss of Representation to Creative Imitation

Baroque Flair: Seventeenth-century European Sapphic Poetry

The Digitization of Japanese Translations of the Rvf in the Oregon Petrarch Open Book

Quanto piace al mondo è breve sogno. Petrarch and Schopenhauer: Elective Affinities

Projects

For a Study of the Reception of the Canzoniere in the “Petrarch Project”

A “cavalier pensoso” between Machiavelli and Petrarch

“Solo et pensoso” in the Latin poetry of the Italian Fifteenth Century

Ghosts of Solitude: Guido Gozzano reader of Petrarch. An episode of the 20th-century reception of Rvf 35

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