Petrarch’s Poetics: From the Abyss of Representation to Creative Imitation

Luis Gonzalo Portugal

Abstract


This article examines concepts such as creative imitation and the impossibility of representation in order to suggest an ethic of reading in Petrarch’s Canzoniere. Such ethics illuminate possible new relationships between Renaissance and Baroque

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DOI: http://dx.doi.org/10.5399/uo/hsda.1.1.1246

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